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Thinking of ways to present the music the show has evolved over the years - from the choice and creation of visual projections, sometimes touching on more up to date political events which we believed to be in keeping with some of the Pink Floyd themes found in their work to the complex task of creating a special effects light and laser show working with some very talented and able individuals in the field who have contributed their skills and ideas to develop the show. The result was that, if anything, the output levels were a hair better than the SACD.īut the more discrete quadraphonic mix caused me to prefer it in several passages.We hope that our choice includes much of their very best work. The difference in the mixes plays tricks on the ears. Despite a reserved center channel use in the SACD, the absence of center channel information in the Parsons mix contributes to one of the largest differences between the mixes. To no small degree, angels and pinheads come to mind. Notwithstanding the additional sense of discrete material, several side by side listenings kept driving home another general point: Both mixes still permit the great music to dominate the experience without drawing undue attention to the surround mix itself - the comparisons between the mixes was often an analysis of subtleties, not bright-line distinctions. In my quad mix of Dark Side, I liked the idea of action happening in all four channels. There is little question that the Parsons mix is gutsier, more discrete than the Guthrie mix. In that respect, some general observations are in order. But by putting the Parsons mix on a level sonic playing field with the Guthrie SACD, the inevitable point of inquiry is to compare the surround mixes. Since I was limited to only tiny snippets of the DTS or Dolby Digital mix, the most I can say of the differences between the high resolution version and either of the other versions were at best subtle, if at all audible. While the attendant claims of being based on the original quadraphonic tapes cannot be verified, listening to the disc inspires belief. Judging from earlier bootleg DTS versions of the Parsons mix, the sonic quality of this release was in a different league, and on par with the shining clean rendition of the SACD - that alone bestows high praise on it. After several side-by-side listening comparisons of the 4.
#Pink floyd meddle dvd audio movie
Pink Floyd – The Wall Movie (1982) 1080p Blu-ray VC-1 LPCM 2.0įrom a standpoint of fidelity, it would be difficult to argue against the quality of this production.
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The mystery engineer, who advises High Fidelity Review of a professional background in sound engineering, has privately verified what the bootleg label reads, i. While by all accounts the disc enjoyed enormous popularity among surround music enthusiasts, there were two immediate questions presented: What would it have sounded like if released as a DVD-Audio disc?Īnd what about the original quadraphonic mix by sound engineer Alan Parsons? The debate over the two competing surround formats was fresher then, and there was a thirty year allegiance to the 4.
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The site contains a selection of high-quality archive of music of different styles, all in amazing quality! Copying of materials is permitted only with reference to the site.
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After reading, remove the material and purchase licensed version Our site is dedicated to the new music industry - a surround music! All materials on the site are provided for informational purposes only. Information Users of Quest are not allowed to comment this publication.
#Pink floyd meddle dvd audio download
Buying a premium account will remove all download restrictions. Unfortunately, we work only with this file hosting. Hello there! Here's quite a very good collection! Sadly the service yo use for hosting the albums are only for pay Thank you in advance. Send: PuchacamiloComments: 1, News: 0, Status.
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And while it's short on actual songs, the long, winding soundscapes are constantly enthralling. Musically, it's arguably even more impressive, showcasing the group's interplay and David Gilmour's solos in particular.
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Login: Password Forgot? The record unfolds gradually, as the jazzy textures of "Shine on You Crazy Diamond" reveal its melodic motif, and in its leisurely pace, the album shows itself to be a warmer record than its predecessor.